A Humument p363, 2009. (Click to enlarge image.)

Tom's Postcard for the Planet will be featured in The Guardian tomorrow (26/9/09) in the Review section.
To coincide with the launch of their Big Six Months to Save the Planet campaign on Sept 1, The Guardian are putting together a special environmental issue of Review. The whole issue will be devoted to creative responses to the crisis. There are new stories and poems promised, and they have invited artists to give a 'Postcard For the Planet' - 6" x 4" with absolutely any message. There will be an auction of the original images, and Tom is planning to contribute a limited edition print of A Humument p363.

Preliminary study for section of railings in Grafton Street, 2009.

I have been designing some railings for a building in Mayfair which is having, in the fusion fashion of the times, a facade-lift after major internal surgery.

Good to be working with responsive people at Futurecity at the ideas end of the project, and, for the actual making, with the grand art fabricators MDM who are conveniently near to me in Loughborough Junction.

Although I do not often plan to be a player in the supersizing of art I enjoy, for the moment, sharing factory space with colleagues such as Richard Wilson and Anish Kapoor who work on an epic scale.

The railings which extend across eighteen metres consist of conventional strutting in the vernacular of the local streets with ornamental interventions in which the regular elements suddenly go for a walk. Somehow here there is an echo of the florid bursts in baroque music that interrupt a steady beat of rhythmic passage work.

Final drawings for the ornamental sections.

Page 73 design. Pencil on paper. 2009. Tom Phillips. Available at auction - see below.

The Black Page exhibition at Shandy Hall celebrates the 250th anniversary of Vols I & II of Tristram Shandy by Laurence Sterne. Page 73 of Volume I is a Black Page which marks the death of Parson Yorick. 73 artists/writers have each been asked to create a 'Black Page' for exhibition and sale by auction. All monies raised will contribute to the grant by English Heritage to repair the roof at Shandy Hall. Please go to http://www.blackpage73.blogspot.com/ for details of the exhibition, artists and auction.

A stone Black Page (sculpted by Peter Coates) has been installed on Sterne’s grave in the churchyard of St Michael's church, Coxwold.

Exhibition continues until 31 October. Open every day (except Saturdays) 11am - 4pm

Shandy Hall
Coxwold, York, YO61 4AD
Tel: 01347 868465

Tom Phillips has also contributed a new Black Page 73 quilt to the exhibition.

The Black Page 73 quilt. Sundry silk fabrics and cotton batting, 2009.

The patchwork quilt-top comprises exactly 73 pieces. There are 18 off-white pure silk log cabin pieces around the edge and 55 black pieces in various different fabrics making up the lettered section. The patchwork was constructed by Alice King using the card template technique. Each piece is cut out in card, and the fabric lightly tacked around it to form the flat, irregular patchwork shape. The pieces are then sewn in place by hand from the wrong side with small overstitches before the card templates are removed from the back, along with the rough holding-stitches. The log cabin strips have been sewn on by machine. The quilting stitches (which hold the three layers together) are sewn by Alice Wood, by hand. The log cabin strips and quilt backing are remnants of raw Thai silk which came from the maker of Alice Wood’s wedding dress. The black pieces are from the two Alices' fabric collections, and consist of silk taffeta, jacquard cotton sateen, velvet, flocked chiffon and satin.

The Black Page 73 quilt, details. 2009

I have made a discovery. How could I not have known all these years about the London Sketch Club? My friend Jonathan Hills is its new President. He invited me along to do some drawing in what I found to be a magic room, a proper Chelsea studio decorated with silhouettes of its original members (Phil May, Heath Robinson etc.) in which a congenial group continues the practise of drawing from the model for the traditional couple of hours. Then they have supper. Just what I needed.

Tom Phillips will be appearing at The Independent Woodstock Literary Festival this year in conversation with Martin Kemp, Emeritus Professor of the History of Art, Trinity College Oxford. This is the first of a new festival event, Conversations with Artists. The event takes place at 12 noon on Friday 18th September in the Marlborough Room at Blenheim Palace.

A fine evening at the National gallery with Access to Art a small-scale but vital charity of which I am happy to be patron. It affords people who are no longer able to visit museums, galleries and exhibitions under their own steam the possibility of continuing their first hand experience of art. A scheme of minibus excursions collects and redelivers home, small groups of the severely chairbound with their helpers. For many it is their only lifeline to an enduring passion for art and, for others similarly disabled, an opportunity to become acquainted with its marvels. Vital to the evening’s great success was the support of Nicholas Penny (seen in the photograph) the National Gallery’s director enabling talks and even music to enrich the charity’s 10th anniversary event. Some of the pictures focused upon were lowered on the walls to facilitate viewing from a wheelchair. Van Gogh's yellow chair at chair level was especially telling.

Making the goldweight book has eaten up all writing time. Brain stopped play. Normal service will be now resumed... here an interim shot of studio with surprise railings, of which more anon.

1984 is an exhibition celebrating twenty five years of the Design and Artist's Copyright Society who are a copyright and collecting society for artist's and visual creators. The exhibition opens on 27th May 2009 in the society's own gallery space, The Kowalsky Gallery 33 Great Sutton Street

London EC1V and runs until 21 August 2009. Other exhibitors include Tracey Emin, Peter Blake, David Nash and Holly Johnson. For more information about DACS visit here.

The Uncommon Reader is an exhibition that explores the wide-ranging literary associations in the work of Tom Phillips. Featured here are his illustrations to Plato’s Symposium, Ulysses and to his own translation of Dante’s Inferno. Also included in the exhibition are portraits of writers such as Samuel Beckett, David Rudkin and Salman Rushdie, a book jacket design for Iris Murdoch and a fragment of The Library at Elsinore installation. Tom Phillips is well known for works that combine text with image. In this exhibition we see some recent sculptures in wire made from pure lettering that quote from Henry James and from Wittgenstein's Tractacus. Also on display will be a selection from the artist’s enormous photographic postcard archive project, We Are The People, on the theme of readers

The exhibition will be open to the public from 24 October to 15 November 2009 at the Garden Gallery of The Oxfordshire Museum as part of the Art in Woodstock festival.

Two new books on printmaking will feature works by Tom Phillips. Printmakers Secrets by Anthony Dyson is published on 30th May 2009 and Hybrid Prints by Megan Fishpool follows on 3rd June 2009. Both are available from Amazon.